mimus
2007-02-01 20:30:51 UTC
Again, nothing groundbreaking. But not bad at all on first listenings.
Musically, _The Greater Wrong of the Right_ with more power, cleaner and
simpler in many passages.
I suspect from my own case that one effect of the slowly-accepted _TGWotR_
will be the throwing off of "_The Process_ Syndrome", and that longtime
fans will be much less leery of picking this one up fairly quickly (I
grabbed my copy only two days after the offishul release date).
There doesn't seem to be a theme to the release, although it's hard to
judge since the lyrics weren't included.
We have, unfortunately, still more neologisms as song titles (I guess Ogre
and/or Key can't help himself or themselves by now), with "Ambiantz" and
"Ugli" seeming especially jejune, but I kinda like "Pasturn", although I
think it should've ended with an "e", and I suspect "Pedafly" will
initially suggest to others as it did to me "Pedofly", which the song
doesn't sound to be about . . . .
I noticed some criticism in recent weeks, after the initial sample
releases, of the vocoder use here, and don't understand that criticism,
since (a) the vocoder sounds cool, (b) it's traditional in the genre, and
(c) it's, say, a perfectly acceptable musical/vocal underlining of a
lyrical/vocal extra- or non-human (or stranger, such as non- human-
become- or- in- the- process- of- becoming- human) viewpoint . . . .
(Guitar warning, for instrumental fascists like me:) There seems to be a
fair bit of guitar on the release, relatively inoffensive rhythm stuff
added at punchy moments.
Right now, I find
Skinny Puppy/Mythmaker (2007)(Synthetic Symphony/SPV)/ "Magnifishit",
"Dal", "Pedafly", "Ambiantz", "Pasturn" and "Haze" (28:39)
to be a quite listenable block, "Pedafly" and "Ambiantz" being especially
clubby.
I don't understand the cover art at all . . . what's with the d00d with
the serious anatomical problem, or the map of (I think) Australia?
Are the damned lyrics posted anywhere yet?
Musically, _The Greater Wrong of the Right_ with more power, cleaner and
simpler in many passages.
I suspect from my own case that one effect of the slowly-accepted _TGWotR_
will be the throwing off of "_The Process_ Syndrome", and that longtime
fans will be much less leery of picking this one up fairly quickly (I
grabbed my copy only two days after the offishul release date).
There doesn't seem to be a theme to the release, although it's hard to
judge since the lyrics weren't included.
We have, unfortunately, still more neologisms as song titles (I guess Ogre
and/or Key can't help himself or themselves by now), with "Ambiantz" and
"Ugli" seeming especially jejune, but I kinda like "Pasturn", although I
think it should've ended with an "e", and I suspect "Pedafly" will
initially suggest to others as it did to me "Pedofly", which the song
doesn't sound to be about . . . .
I noticed some criticism in recent weeks, after the initial sample
releases, of the vocoder use here, and don't understand that criticism,
since (a) the vocoder sounds cool, (b) it's traditional in the genre, and
(c) it's, say, a perfectly acceptable musical/vocal underlining of a
lyrical/vocal extra- or non-human (or stranger, such as non- human-
become- or- in- the- process- of- becoming- human) viewpoint . . . .
(Guitar warning, for instrumental fascists like me:) There seems to be a
fair bit of guitar on the release, relatively inoffensive rhythm stuff
added at punchy moments.
Right now, I find
Skinny Puppy/Mythmaker (2007)(Synthetic Symphony/SPV)/ "Magnifishit",
"Dal", "Pedafly", "Ambiantz", "Pasturn" and "Haze" (28:39)
to be a quite listenable block, "Pedafly" and "Ambiantz" being especially
clubby.
I don't understand the cover art at all . . . what's with the d00d with
the serious anatomical problem, or the map of (I think) Australia?
Are the damned lyrics posted anywhere yet?
--
Let there be throbbing.
Let there be throbbing.