Post by PerPost by mimusI just ordered a used copy of _The Greater Wrong of the Right_.
Will it drive me as crazy as _The Process_?
Stay tuned!
I did not like it at first. We did have it on heavy rotation where I
worked at the time, and after a while, it grew on me. It seems to
happen to lots of Puppy releases with me. Dislike at first, give it
another chance, and like it. The Process is an exception. I have tried
many times to listen to it. Not for me.
I've had it and been mulling over it for a coupla days.
The block "I'mmortal", "Goneja", "EmpTe" and "Use Less" (18:39) has only
minor flaws (guitar in the first, general cuteness with titles, and a
slight theistic reference in the last).
"Ghostman" is musically quite good, too, and might be inserted as the next
to last track in the above block, but its two major lyrical philosophical
planks, Randianism and _ignoramus et ignorabimus_, are terminally stupid,
not to mention mutually contradictory, all of which is irritating (just
lie back and think of electro-EBM, eh?).
But the main thing is there really doesn't seem to be any reason for the
album: It breaks no lyrical or musical ground, and I don't get any sense
of any artistic vision straining either lyric or music. It seems to me to
be multiply acquiescent, lyrically to recent world events, as filtered
through the world press, and interpreted in knee-jerk mass-liberal fashion
(for example, there's America-bashing but no Saudi/ Wahabbite/ al
Qaeda/ jihadist-bashing); technically-musically to the equipment; and
musically not to the old SP fans but to, er, maybe the club scene-- it
reminds me a little of Haujobb's NIN-style club-album _Polarity_, and the
cover art is fairly goth, all of which makes me think that even more.
And when I first listened to it, I was initially put off by the vocal
arrangements, which made me think SP'd gone Merseyside, or Ogre was
partway through a transsexual procedure . . . .
So maybe they just did it for cash.
I wonder if the resemblance of the vocal line in "Use Less" (a very good
song, other than the silly breaking up of the main concept and word of
the lyric, "useless", into two words in the title) to that of "Behind Blue
Eyes" is deliberate?
--
Let there be throbbing.